Nat “King” Cole’s Widow Maria Cole Visits Charlotte Hawkins Brown Museum

SEDALIA - For the first time in over 20 years, Maria Cole, widow of music legend Nat “King” Cole, visited the Charlotte Hawkins Brown Museum State Historic Site in Sedalia Monday, June 9. Mrs. Cole spoke at a ceremony honoring her aunt Dr. Brown and received the Dr. Charlotte Hawkins Brown Living Legacy Award.

The Third Annual Celebration of Remembrance was held from 12 noon-2 p.m. and featured remarks by several local and state officials, including state representatives H.M. “Mickey” Michaux Jr. (D-Durham), Alma Adams (D-Guilford), Greensboro Mayor Yvonne Johnson, N.C. Office of Archives and History Deputy Secretary Dr. Jeffrey Crow and N.C. Historic Sites Director Keith Hardison. Following a luncheon and presentation of a commemorative quilt to Mrs. Cole, Palmer Memorial Institute graduate J.C. Scarboro Jr. of Durham and Maria Cole laid a wreath on the grave of Dr. Brown on the state historic site’s grounds. That evening, Mrs. Cole was feted at a reception in the O. Henry Hotel in Greensboro.

The Charlotte Hawkins Brown Memorial was once the home of the Palmer Memorial Institute (PMI), one of America’s most prestigious African American prep schools in the first half of the 20th century. It was also Maria Cole’s childhood home and where she was educated.
The state historic site honors the late Dr. Charlotte Hawkins Brown, who began teaching children in Sedalia in 1901. For 50 years after founding PMI in 1902, Dr. Brown labored unceasingly to educate young people, building what started out as a tiny academy into a highly renowned African American school. Mrs. Cole played a key role in helping make the former school a state historic site, along with the late Marie Hill Gibbs of Greensboro, another PMI graduate.

Known for her polish, jazz career and commitment to charitable causes including eradicating cancer, the disease that took her husband’s life in 1965, Maria Hawkins Cole was born in Boston in 1922. Her father Mingo Hawkins worked for the U.S. Postal Service at a time when civil service jobs were highly sought after by African Americans. When Maria was only two, her mother died in childbirth, leaving the widower to care for three little girls alone. Two decades before, Hawkins’ sister Dr. Brown had founded PMI and when Maria was seven or eight, she and her older sister Charlotte went to live with their aunt.

Cole grew up at PMI, meeting such towering figures as W.E.B. Dubois, Mary McLeod Bethune and Eleanor Roosevelt. Though living in Greensboro, the pretty little girl had to face the same discrimination southern African Americans routinely endured during the “Jim Crow” period, her life at PMI was sheltered and comfortable. Here she shared with Dr. Brown and her sister a roomy two-story house called “Canary Cottage,” named for its sparkling yellow color.

Like all Palmerites, Maria met the high standards of discipline, honesty, manners and academic achievement her aunt emphasized at the school. Her life was filled with studying and attending church. In a biography on Nat King Cole which Maria co-authored, she says, “Christmas and travel were the rare fun times, however, when we were in my aunt’s charge. She ruled supreme over our lives, demanding discipline, rigorous school work, love of God and attention to our manners.”

Always intrigued by the entertainment world, young Maria Cole took voice and piano lessons; popular music was her love. After graduating from Palmer in 1938, she returned to Boston, attending a clerical college by day and working with a jazz orchestra by night. Before long, Maria was singing with the band and moved to New York to pursue a music career. Dr. Brown had other ideas though and got her niece a clerical job at Howard University in Washington, D.C.

Still committed to music, Maria soon was back in New York, singing under a stage name with jazz great Benny Carter’s band so she wouldn’t embarrass her family. In 1943, she married Spurgeon Ellington, a famed Tuskegee Airmen flyer during World War II. Tragically, Maria’s husband was killed during a routine training flight shortly after the war ended.

Though Maria Cole performed briefly with both Count Basie and swing music innovator Fletcher Henderson, her big break came with Duke Ellington, Mr. “A-Train” himself. After hearing tapes of Cole singing, Ellington hired Maria as a vocalist with his legendary orchestra. She stayed with him until 1946 when she began soloing at the city’s Club Zanzibar as an opening act for the Mills Brothers. It was here where she met her future husband Nat “King” Cole.

In 1948 Maria Hawkins and Nat “King” Cole were married by Adam Clayton Powell Jr. at Harlem’s famous Abyssinian Baptist Church in a ceremony attended by numerous celebrities. Though she disapproved of her niece’s match, Dr. Brown attended the wedding.

That same year, Nat King Cole became one of the first African American music stars to perform on radio where he sang such hits as “Nature Boy.” His success enabled the couple to buy a mansion in Los Angeles. Soon after Maria’s marriage, her sister Carol and her husband both died, leaving behind a small daughter. The Coles decided to adopt “Cookie,” and Dr. Brown also sought custody of the four-year-old.

Throughout the 1950s, Nat King Cole’s fortunes continued to rise with his many hit songs, such as “Mona Lisa” and “Unforgettable.” The Coles became increasingly prosperous and socially prominent. In 1950, their first child Natalie was born. She was followed by the late Nat Kelly Cole, adopted in 1961. Maria gave birth to twin girls Timolin and Casey in 1961.

Nat and Maria traveled throughout Europe in the ‘50s and Maria even returned to performing, recording several songs with Nat for Capitol Records. She sang live at top venues in California and on the East Coast. Though a bout with ulcers temporarily derailed Nat’s touring schedule in 1953, after recovering, he went on to sing to great acclaim in the British Isles, Holland, Scandinavia and Latin America. During this time, Nat also acted in seven movies and made guest appearances on several TV programs. In 1956, he became the first African American to host a national television network program.

At the height of his career, Nat King Cole made about $3,000,000 a year on recordings and performances. Sadly, in late 1964, doctors diagnosed Nat with advanced lung cancer. He died on February 25, 1965, leaving behind a grieving family and countless saddened fans.

After her husband’s death, Maria kept Nat’s legacy alive while caring for their five children. She produced a James Baldwin play, sang on the “Ed Sullivan Show,” created the Cole Cancer Foundation and more. In 1969, Maria remarried and returned to Massachusetts with her younger children. Though this union did not last, her life has continued to be full.

In 1987, she was interviewed by her daughter Natalie and singer Johnny Mathis for a PBS special on Nat. In 1990 both Maria and Natalie accepted a Grammy lifetime achievement award for her late husband. Over the years, she has contributed to her community through charities including the National Kidney Foundation, the Urban League and the Cardiac Research Foundation. Articulate, dignified and positive, Maria Cole has managed her fame, fate and fortune with aplomb. She now lives in Ponte Vedra Beach, Fla.

PMI closed in 1971 but since being turned into a state historic site, five former school buildings have been designated as official projects of Save America’s Treasures, a public-private partnership between the White House Millennium Council and the National Trust for Historic Preservation. The museum’s mission is to preserve and interpret the history and legacy of Dr. Charlotte Hawkins Brown, Palmer Memorial Institute and African American education in North Carolina.

It is located in Sedalia on Hwy 70 between Greensboro and Burlington. Groups of 10 or more are encouraged to make reservations in advance. Hours are Monday through Friday, 9 a.m.-5 p.m., and admission is free. The site is located at 6136 Burlington Road, Sedalia, 10 miles east of Greensboro off I-85, exit 135. For information about the site, Mrs. Cole’s visit, tours, directions and activities, visit www.chbrownmuseum.nchistoricsites.org or call (336) 449-4846.

Administered by the Division of State Historic Sites, Charlotte Hawkins Brown Museum is part of the N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history, and culture through such programs as “Telling Our Stories” the 2008 Department theme. For more information, visit www.ncculture.com.

Homegrown Handmade Kickoff

 
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On a hot, sunny day, folks came from all over to celebrate the launch of Homegrown Handmade: Art Roads and Farm Trails at the Benjamin W. Best Country Inn and Carriage House in Snow Hill.

Wolfe Memorial to Host “In the Good Ole’ Summertime” June 21-22

A few boarders and staff pose on the front porch steps of “The Old Kentucky Home” boardinghouse

Living History Program to Evoke Early 20th Century Asheville

 

ASHEVILLE - In 1916, as the United States found itself becoming ensnared in World War I and summer settled heavily over most of the country, the resort of Asheville in North Carolina’s Blue Ridge Mountains was thriving.  Eager to breathe in the cool mountain air as well as the town’s culture, visitors flocked to the town on the banks of the French Broad River.  On Saturday, June 21, and Sunday, June 22, from 1-4 p.m. each day, the Thomas Wolfe Memorial State Historic Site will evoke those days in the program “In the Good Ole’ Summertime, 1916.” The living history program will feature characters like those who peopled Thomas Wolfe’s most famous novel “Look Homeward, Angel.”  Admission is $6 and house tours will leave every 20 minutes.

 

For 10 years, Thomas Wolfe grew up in his mother’s boardinghouse, contending with footloose boarders, small town provincialism and his colorful but turbulent family.  Many of these people who passed through Wolfe’s life inspired dozens of characters in “Angel”.  The real boardinghouse once run by Julia Wolfe became “Dixieland”, a place inspired by the novelist’s experiences with the lodgers who passed through the doors of the “Old Kentucky Home.”

 

Throughout the weekend, visitors to the memorial may experience life in Asheville circa 1916 through the eyes of characters like those who stayed in Julia Wolfe’s boardinghouse.  These include Mrs. Sadie Hooper, a women’s suffrage and temperance activist; Sophie Taylor, a vaudeville performer who has come to perform at Asheville’s Majestic Theater; and Sara Hines, a young lady said to be of “dubious morals” who becomes the talk of the house because of her relationships with some of the male boarders.  As visitors are guided through the house, they will be able to interact with the costumed characters.

 

Tour guides will also give visitors a peek into Wolfe’s family life circa 1916, the year Tom’s sister Mabel was married in the house.  Topics to be discussed include Mrs. Wolfe running her own business in a day when few married women did this.

 

Boardinghouses dotted America up until the 1930s when travelers began staying in the newly popular “tourist courts” and motels.  Boardinghouses were often family homes where vacationers or businessmen rented a bedroom for one or more nights and paid far less than in a hotel.  The room price usually included breakfast and sometimes all three meals.  Space was tight so boarders usually shared both bathrooms and living areas, along with each others’ lives, problems … and germs.

 

Known for its cool, clean, and healthy climate, in the early 20th century Asheville had begun attracting visitors with respiratory diseases, some of whom may have lodged at the “Old Kentucky Home”.  As long as he lived there, Thomas Wolfe was shuffled around the boardinghouse, never having a room to call his own.  Since young Tom Wolfe ate and lived closely with his mother’s boarders, it is quite possible one of them gave him the tuberculosis that ultimately killed him just a few days before his 38th birthday.

 

The goal of the Thomas Wolfe Memorial State Historic Site is to preserve and interpret the history of author Thomas Wolfe and his mother’s boardinghouse as depicted in his novel “Look Homeward Angel”.  It is located at 52 N. Market Street in downtown Asheville.  For more information about this program, call 828-253-8304, or email contactus@wolfememorial.com.

 

The Wolfe Memorial is an agency of the Division of State Historic Sites, N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history, and culture.  This program reflects the N.C. Department of Cultural Resources 2008 theme “Telling Our Stories,” a yearlong celebration that showcases the story of North Carolina’s rich arts, heritage, and cultural life.  For more information on Cultural Resources programs, visit www.ncculture.com.

 

 

Museum Shop Offers Special Father’s Day Gifts

Are you having trouble finding a different type of gift for that special dad for Father’s Day? Look no further than the colorful shelves of the Museum Shop at the N.C. Museum of History in downtown Raleigh.

 

A new addition to the gift selection this year is the travel book Homegrown Handmade: Art Roads and Farm Trails, a 400-page statewide travel guide just released by the N.C. Department of Cultural Resources. The guide joins other fascinating historical and cultural books and other gift items any dad would appreciate. There are a variety of novelty ties, and, for the sportsman, decoys and other sporting items related to the museum exhibit ArtDuckO: Waterfowl Culture in North Carolina.

 

The travel guide Homegrown Handmade features 16 self-directed tourism trails in 76 counties. Each multicounty section has listings for festivals, crafts shops, museums, produce stands, restaurants, bed-and-breakfast sites, farm experiences and activities.

 

The Museum Shop is open Monday through Saturday, 9 a.m. to 5 p.m., and   Sunday, noon to 5 p.m. If you prefer to shop online, the Web site is www.ncmuseumofhistoryshop.com. Call 919-807-7835.

 

The N.C. Museum of History, located at 5 E Edenton Street, is part of the N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history and culture. The Cultural Resources’ theme for 2008 is “Telling Our Stories.”

 

For more information about the museum, call 919-807-7900 or check out the museum’s Web site at ncmuseumofhistory.org.

 

The N.C. Museum of History’s hours are Monday through Saturday, 9 a.m. to 5 p.m., and Sunday, noon to 5 p.m. Admission is free. The museum is part of the Division of State History Museums, Office of Archives and History, an agency of the N.C. Department of Cultural Resources. The department’s Web site is www.ncculture.com.

Sheila Kay Adams and Balsam Range Present Free Performances

Enjoy a cool mountain evening during the second outdoor concert of the summer series Blue Ridge Traditions on Saturday, June 21. Hear award-winning Sheila Kay Adams and the bluegrass band Balsam Range, beginning at 7 p.m. at the Mountain Gateway Museum and Heritage Center in Old Fort. The performances will take place in the amphitheater. Admission is free.

 

From 2 to 6 p.m. earlier that day, watch craft demonstrations and take part in hands-on activities. Each week, wood-carver Donald Duncan, broom makers Alton Blankenship and Gina Wheeler, and the Mountain Glory Quilters Guild will be on site. Find out how a traditional broom is made, and stitch along with the quilting group.

 

A weekly schedule is posted on ncarts.org/freeconcerts, or call Mountain Gateway Museum at 828-668-9259 for details.

 

Overview of Performers and Craftspeople

 

Sheila Kay Adams - The musician, storyteller, author and teacher hails from a small community in Madison County. For seven generations, her family has passed down the traditional English, Scottish and Irish ballads that crossed the Atlantic with her ancestors in the mid-1700s. She sings these traditional Appalachian ballads with a powerful intensity that she learned from her relatives, such as pre-eminent ballad singers Dellie Chandler Norton and Cas Wallin. Adams is an accomplished banjo player in the clawhammer style, and her highly regarded albums include “My Dearest Dear,” “Whatever Happened to John Parrish’s Boy?” and “All the Other Fine Things.” She served as a technical advisor and singing coach for the award-winning film “Songcatcher.”

 

In 1997 Adams received the historical fiction award from the N.C. Historical Society for her book Come Go Home With Me, a critically acclaimed celebration of her childhood and Madison County community. Her novel My Old True Love, based on a true family story, was nominated for Book of the Year from the Southeastern Booksellers Association and the Appalachian Writer’s Association. In 1998 she received the Brown-Hudson Award from the N.C. Folklore Society. As her great-aunt once said, “She might not always know where she’s going, but she sure knows where she comes from.”

 

Balsam Range – The group was formed last year by Haywood County natives Buddy Melton, Marc Pruett, Tim Surrett, Darren Nicholson and Caleb Smith. Drawn together by a deep love of bluegrass music and a desire to perform both traditional and contemporary music, the quintet quickly established themselves as one of the most promising new groups on the bluegrass scene. Although the band is fairly new, its members boast impressive musical credentials. Pruett won a Grammy Award for his banjo work on Ricky Skaggs’ acclaimed album “Bluegrass Rules,” and Surrett received Singing News’ Favorite Musician of the Year award in 2004 and 2005. Smith earned the PowerGrass Male Vocalist of the Year and Guitar Player of the Year awards in 2006, and Nicholson won an Album of the Year award from the International Bluegrass Music Association in 2006 for his work on “Celebration of Life: Musicians Against Childhood Cancer.”

 

In Jan. 2008, Balsam Range’s album “Marching Home” debuted at number 7 on the Bluegrass Music Profiles chart, and in February the group’s first single, “The Train’s Ready,” entered the Bluegrass Unlimited National Survey chart at number 26. A performance by Balsam Range — whose name reflects the majestic mountains surrounding Haywood County — is marked by impeccable harmonies, sweet gospel tunes, consummate musicianship and a profound respect for traditional music. 

 

Donald Duncan - This North Carolina native has been carving wood for more than 40 years. After his retirement, Duncan began carving treenware, which he says comes from the old English word “treown,” which means “made of a tree.” Treenware refers to small utensils and wooden tableware that are functional in nature and most often are hand carved or made on a lathe.

 

For 18 years, Duncan has demonstrated his craft at the Village of Yesteryear at the N.C. State Fair. He fondly recalls the experience as “10 days of nonstop talking.” A member of the Southern Highland Craft Guild, he carves spoons, ladles and letter knives from native wood that he gathers himself. His work is both decorative and functional.

 

Alton Blankenship - Born in Rutherford County, the broom maker first came to his craft out of necessity. “My father was a broom maker,” Blankenship recalls, “and he didn’t do it for any reason other than he needed something to barter with and something to sweep floors with. I became interested in making brooms out of necessity, and because my father did it.”

 

Blankenship returned to making brooms after his retirement, when he became inspired by the work of broom maker Ralph Gates. “I mentioned to Ralph that I could make brooms if I had the right supplies,” said Blankenship. “He had one stalk of broomcorn left, and he gave it to me and said, ‘Here’s enough to make a lot of brooms.’ That was more than 20 years ago.”

 

Asked about the most important aspects of his own brooms — which include whisk brooms, turkey wings, hearth brooms and kitchen brooms — Blankenship explains, “I want a broom to be sturdy and appealing to the eye.”

 

Gina Wheeler - The Barnardsville resident has always been surrounded by traditional crafts. Her mother is a gifted oil painter, and her husband, Michael, hails from a long line of chair makers.

 

It was during a chair-making demonstration at the Mountain State Fair in Asheville seven years ago that she met traditional broom maker Alton Blankenship. Says Wheeler’s husband, “After she met Alton, I didn’t see her for about a week. She got to watching him and fell in love with what he was making.” Wheeler assists Blankenship during his broom-making demonstrations, and the Wheelers grow their own broomcorn.

 

Mountain Glory Quilters Guild - This group of enthusiastic quilters celebrates and promotes the quilting traditions of western North Carolina. All quilters are welcome to join, regardless of experience.

 

The guild members are active community members who donate quilts to children’s charities and programs. They view their craft demonstrations during Blue Ridge Traditions as a way to support and promote the rich heritage of hand quilting. 

 

Blue Ridge Traditions is sponsored by Mountain Gateway Museum and Heritage Center, the North Carolina Arts Council, the Department of Cultural Resources and the North Carolina Folklife Institute. Additional support is provided by McDowell County Tourism Authority. The media sponsor is WNCW-FM 88.7.

 

The summer series is presented as part of “Telling Our Stories,” a yearlong celebration showcasing North Carolina’s arts, heritage and cultural life. “Telling Our Stories” is an initiative by the N.C. Department of Cultural Resources.

 

To reach Mountain Gateway Museum and Heritage Center at 102 Water Street (the corner of Catawba and Water streets), take exit 73 off I-40, and go north four blocks. The museum is 23 miles east of Asheville and 50 miles west of Hickory.

 

Mountain Gateway Museum and Heritage Center is part of the Division of State History Museums, Office of Archives and History, an agency of the North Carolina Department of Cultural Resources. The department’s Web site is www.ncculture.com.

 

 

 

 

June is Jumping

 
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Today’s show features a celebration marking the end of slavery in the United States; takes a look at a new guidebook that explores North Carolina’s rural riches; and explores “tank of gas or less” ways to experience North Carolina historic sites.

First up, many African-Americans have adopted celebration of “Juneteenth” on June 19 to mark the unofficial freeing of the last slaves in the United States.  On June 19, 1865, Gen. Gordon Granger rode into Galveston, Texas, where two months after the end of the Civil War, and more than two years after the Emancipation Proclamation, he informed black citizens that they were free.  Gen. Granger’s Order Number Three freed the last 250,000 slaves in America.  Today Texas alone grants the date holiday status, but other states and communities find ways to pay tribute to that and other events in African American history.  Fay Mitchell talks with archivist Earl Ijames about discoveries in North Carolina’s Black History.

On a bright, sunny day in Snow Hill, N.C., a crowd gathered to launch “Homegrown Handmade: Art Roads and Farm Trails,” a new guidebook for travelers interested in “Agri-Cultural” tourism.  Click here for a look at the day.

The guidebook, which was published by John F. Blair, Publisher of Winston Salem, was produced by the North Carolina Department of Cultural Resources and North Carolina Cooperative Extension.   

Fay Mitchell recently sat down with Keith Hardison, director of State Historic Sites for some suggestions on travel that won’t break the bank.

‘Homegrown Handmade’ Launches

 New Guidebook Promotes
“Agri-Cultural Tourism”

Eclectic sites abound in Homegrown Handmade: Art Roads and Farm Trails, a new travel guide to authentic arts and agricultural experiences, unique places and people in North Carolina.  The 400-page book of 16 self-directed driving trails with ideas for affordable travel includes almost 1,300 sites in 76 North Carolina counties. 

 

The trails are examples of what is now popularly called “agri-Cultural tourism.”  Each trail tells a story of its unique place, such as “Lights…Waves…Action” and “Rock Stew Ramble” in the east or “Hushpuppies, Pimento Cheese and Sweet Tea” and “Burning Rubber and Riding the Rails” in the Piedmont.  Recreational farms, artist studios, organic foods, museums, festivals and restaurants that serve local produce or serve up indigenous recipes with a dash of art, music or history are included.

 

“If it grows in North Carolina there is a festival for it, and this book has 137 festivals plus 198 art galleries,” said Maryanne Friend of the Department of Cultural Resources.  “The book is a helpful resource to fun things to see and do for tank-of-gas-or-less day trips and weekend get-aways,” said Friend, “and many of these activities are free.”       

 

The Homegrown Handmade project began as collaboration among several public organizations, mainly the North Carolina Department of Cultural Resources, North Carolina Arts Council and North Carolina Cooperative Extension Service, supported by the Golden LEAF Foundation. John F. Blair, Publisher, was brought into the mix in an effort to reach more people, marking the beginning of a relationship between private enterprise and government agencies that will become a new method for promoting North Carolina’s tourism economy.

 

Even with higher gas prices, creative cultural resources continue to grow, mostly because of travelers who desire out-of-the-ordinary experiences. Homegrown Handmade directs interested travelers to such diverse activities as horseback riding, kissing llamas, picking blueberries, taking pottery lessons, celebrating Everybody’s Day and other festivals, designing quilts . . . the possibilities are endless!

 

Homegrown Handmade: Art Roads and Farm Trails is available at bookstores everywhere.

 

An eastern regional kickoff event was held June 4 in Snow Hill to celebrate the publication of the travel guide. A Piedmont kickoff will begin at 9 a.m. June 25 at the Carolina Inn in Chapel Hill, featuring area farmers and craft exhibitors.

 

Boatbuilding Classes Offer a Unique Family Experience

Wooden boatbuilding is a cherished pastime and plays an important role in North Carolina’s history.  Avid carpenters or families  looking for a unique experience will find the boatbuilding classes offered at the North Carolina Maritime Museum’s Watercraft Center a great choice.  A variety of classes for all skill levels, adults and kids age 8 and above are offered throughout the year.

 

One-Week Boatbuilding Class – June 21-29

Lofting – July 12-13

Boatbuilding Carpentry (Round-bottomed) –July 19-20

Build a Boat in a Day –July 26 & Aug. 16

Sail Making –Aug. 2-3

Boatbuilding Carpentry (Flat-bottomed) –Aug. 23-24

 

During the One-Week Boatbuilding Class students will build their own traditional flat-bottomed skiff or a small round-bottomed boat, either carvel or lapstrake planked, up to 15 feet in length, with an expert’s guidance.  Boat plans must be approved before the class begins.  The class price includes the cost of all materials.  Class is scheduled Saturday, June 21 – Sunday June 29 from 9 a.m. to 4 p.m.  The fee is $1,750 ($1,700 FOM).

 

Lofting teaches the process of turning boat building plans into full-sized drawings for patterns from which a boat can be built. It is an essential skill for the boat-builder.  Students will loft a boat following a sequence of steps to gain a working knowledge of the activity, procedures and terminology. The process can be applied to any future boat project Class is scheduled  Saturday and Sunday, July 12-13, from 9 a.m. to 4 p.m.  The fee is $75 ($65 FOM).

 

Boatbuilding Carpentry (round-bottomed) is an approved pre requisite for those who want to take the weeklong boatbuilding class or who just simply want to learn skills essential for building round-bottomed boats.  Students learn to derive shapes of frames and planks, plank both carvel and lapstrake hulls, and understand traditional construction techniques.  The class scheduled  Saturday and Sunday, July 19 and 20 from 9 a.m. to 4 p.m.  The fee is $135 ($110 FOM).

 

Teams work together during the six-hour Build a Boat in a Day class using a stitch-and-glue technique to assemble a prepared kit for a small flat-bottomed plywood boat suitable for rowing or paddling. The class is geared to children eight and over, and adults.  Each team may have up to four members, with at least one adult member.  The cost per team is $300 ($275 FOM). Each team goes home with a 7-foot 10-inch boat that is 32-inches wide and weighs about 40 pounds. The class is offered on Saturday, July 26 & Aug. 16, from 9 a.m. to 4 p.m.

 

Sail Making will teach students about the layout, lofting and building of sails.  Repairing and re-cutting sails is also covered, as is machine sewing and the handwork technique used by sailmakers.  This class is scheduled for Saturday and Sunday, Aug. 2-3, from 9 a.m. to 4 p.m.  The fee is $125 ($100 FOM).

 

Boatbuilding Carpentry (flat-bottomed) is an approved pre requisite for those who want to take the weeklong boatbuilding class.  The class scheduled Saturday and Sunday, August 23 and 24.  Learn valuable skills and techniques through this hands-on workshop.  Students will work as a team to construct a 12 - 14-foot version of a traditional “rack of the eye” flat-bottomed skiff. The class is held from 9 a.m. to 4 p.m.  The fee is $135 ($110 FOM).

 

Build a Boat in a Day is suitable for children as young as eight and their families.  Boatbuilding Carpentry, Sail Making and Lofting are geared for people 16 years and above.  All summer classes are offered at the N.C. Maritime Museum’s Watercraft Center at 315 Front Street, Beaufort.

 

The N.C. Maritime Museum, Dr. David Nateman, director, is located at 315 Front Street in Beaufort.  It is part of the Division of State History Museums in the N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history and culture.  Museum hours are Monday-Friday, 9 a.m.-5 p.m., Saturday, 10 a.m.-5 p.m. and Sunday 1-5 p.m.  Admission is free.  For more information, call (252) 728-7317 or go to www.ncmaritimemuseum.org.

Blue Ridge Traditions: Free Weekly Concerts and More

For an authentic mountain experience under the stars, enjoy six Saturdays of free evening concerts at Mountain Gateway Museum and Heritage Center in Old Fort. David Holt, the Krüger Brothers and Sheila Kay Adams are among the well-known musicians who will perform traditional music at the site’s picturesque outdoor amphitheater. The performances every Saturday (except July 5) from June 14 to July 26 at 7 p.m. are presented as part of Mountain Gateway Museum’s summer series Blue Ridge Traditions. And there’s more. . . . From 2 to 6 p.m. on the same Saturdays, there will be craft demonstrations, storytellers and hands-on activities.

“This summer, more than ever, is a great time to experience culture and heritage right here at home in North Carolina,” said Cultural Resources Secretary Lisbeth C. “Libba” Evans. “Free activities like these will make everyone’s vacation memorable.”

Blue Ridge Traditions kicks off on June 14 with Grammy Award-winner David Holt and his band, the Lightning Bolts. Drop by in the afternoon to watch a wood-carver and broom maker at work or to quilt a few stitches with the Mountain Glory Quilters Guild.

“Bring a picnic, a lawn chair, family and friends,” added Terrell Finley, museum administrator. “Our summer series is a wonderful opportunity for residents and visitors to North Carolina to experience the region’s history, music and culture.” And what could be easier? No advance registration is needed, and everything is free, including parking.

Craft demonstrations and activities will vary each Saturday. For example, June 28 centers on the theme Sheep to Sweater, so you can watch individuals spin, weave, knit and crochet. On July 26, you can see farm animals, learn about beekeeping and more. A weekly schedule will be posted on ncarts.org/free concerts, or call Mountain Gateway Museum at 828-668-9259 for details.

A schedule of the 7 p.m. concerts follows.
June 14: David Holt & the Lightning Bolts
June 21: Sheila Kay Adams and Balsam Range
June 28: The Welch Family and fiddler Bobby Hicks, plus Cherokee Heritage with storyteller Freeman Owle
July 12: George Shuffler and Family, Denise O’Sullivan, the New North Carolina Ramblers
July 19: The Griggs, Paul Brown and the Toast String Stretchers (At 4 p.m., join a mountain dance workshop with Phil Jamison and Loretta and Lynsey Freeman.)
July 26: Clarence Green with Wayne Martin, the Krüger Brothers

Blue Ridge Traditions is sponsored by Mountain Gateway Museum and Heritage Center, the North Carolina Arts Council, the Department of Cultural Resources and the North Carolina Folklife Institute. Additional support is provided by McDowell County Tourism Authority. The media sponsor is WNCW-FM 88.7.

The summer series is presented as part of “Telling Our Stories,” a yearlong celebration showcasing North Carolina’s arts, heritage and cultural life. “Telling Our Stories” is an initiative by the N.C. Department of Cultural Resources.

A weekly schedule is posted on ncarts.org/freeconcerts, or call Mountain Gateway Museum at 828-668-9259 for details.

To reach Mountain Gateway Museum and Heritage Center at 102 Water Street (the corner of Catawba and Water streets), take exit 73 off I-40, and go north four blocks. The museum is 23 miles east of Asheville and 50 miles west of Hickory.

Mountain Gateway Museum and Heritage Center is part of the Division of State History Museums, Office of Archives and History, an agency of the North Carolina Department of Cultural Resources. The department’s Web site is www.ncculture.com

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A “Capitol” Memorial Day

 
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Rob Boyette of North Carolina Historic Sites takes podcast viewers on a tour of the State Capitol during recent Memorial Day activities.