Museum Prepares for Arrival of Famed Higgins Boat

BEAUFORT – The North Carolina Maritime Museum will receive a Landing Craft, Vehicle and Personnel (LVCP) or “Higgins Boat” for restoration on Wednesday, July 30 around 9 a.m. at the museum’s expansion site at Gallants Channel, next to Town Creek Marina. Restoration work will take 6-8 months, and can be viewed at the museum’s Watercraft Center. This Higgins Boat is one of only about 12 such vessels known to still exist.

The vessel, which is owned by the First Division Museum in Wheaton, Illinois, is approximately 10 ½ feet wide and 34 feet in length. The age is currently unknown but is believed to be from the 1940’s.

More than 22,000 LCVPs were manufactured during WWII. The craft could transport troops from larger vessels right onto a beach, making amphibious assaults possible. LCVP’s carried the 1st Infantry Division ashore at North Africa, Sicily and Normandy.

The World War II-vintage LCVP was purchased from Overlord Research, LLC, of Charleston, WV, who located it in Normandy, France.

The N.C. Maritime Museum is located at 315 Front Street in Beaufort. It is part of the Division of State History Museums in the N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history and culture. Museum hours are Monday-Friday, 9 a.m.-5 p.m., Saturday, 10 a.m.-5 p.m. and Sunday 1-5 p.m. Admission is free. For more information, call (252) 728-7317 or go to www.ncmaritimemuseum.org.

Free “Pickin’ On The Porch” Music Program Series

ASHEVILLE—Passing an afternoon rocking on the front porch has long been one of the pleasures of the South. On Friday, Aug. 1, from 2-4 p.m. the tradition continues with a free performance on one of Asheville’s and the literary world’s most famous porches, the “Old Kentucky Home” of Thomas Wolfe.

Noted singers/songwriters Roger Howell and Richard Hurley will perform traditional mountain music and contemporary interpretations of country and folk music at the first in a series of “Pickin’ on the Porch” programs at the Thomas Wolfe Memorial State Historic Site.

A Mars Hill native, Roger Howell first began banjo picking at age 13 while growing up in Madison County. Howell also plays the dobro (a resonator guitar) and the fiddle, and can be heard on the soundtrack to the 1999 motion picture film “Songcatcher.”

Richard Hurley of Asheville is an accomplished guitarist, singer and songwriter. Hurley has recorded with Raymond Fairchild and master fiddler Arvil Freeman.

Visitors are invited to bring lawn chairs or blankets to enjoy the performance. This is the first in a series of monthly traditional music performances at the Thomas Wolfe Memorial.

The goal of the Thomas Wolfe Memorial State Historic Site is to preserve and interpret the history of author Thomas Wolfe and his mother’s boardinghouse as depicted in his novel “Look Homeward Angel.” The state historic site is located at 52 N. Market Street in downtown Asheville. For more information about this event or the series, contact the memorial at 828-253-8304 or e-mail contactus@wolfememorial.com.

The Thomas Wolfe Memorial is part of the Division of State Historic Sites in the N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history, and culture through such programs as “Telling Our Stories,” a yearlong celebration of North Carolina’s stories of struggle and freedom, memorable characters and colorful daily life. For more information, visit www.ncculture.com or call 919 807-7385.

Ft. Dobbs State Historic Site Receives $150,000 Grant From Federal Institute of Museum and Library Services

STATESVILLE—The federal Institute of Museum and Library Services (IMLS) has announced that Ft. Dobbs State Historic Site in Statesville won a $150,000 grant for a multi-year project designed to expand and enhance the site’s historical and interpretive potential. This grant amount is the maximum the IMLS customarily awards through its Museums for America (MFA) program. The award is one of only 154 given from Maine to Alaska.

“This prestigious IMLS grant gives us an unparalleled opportunity to explore an oft-neglected aspect of North Carolina’s colonial history and enables Historic Sites to interpret Ft. Dobbs within a broader historical and cultural context,” said N.C. Historic Sites Director Keith Hardison.

The “Fort Dobbs Historic Site: Reinterpretation, Expansion & Reconstruction” project funding will enable planning and conceptual drawings for the site’s development, reconstruction and interior exhibits, crafting an interpretive plan and related exhibitions. The project stems from the new community-developed strategic plan and directly addresses Ft. Dobbs’ mission to “preserve and interpret North Carolina’s only French and Indian War fort.”

In 2008 the Institute’s MFA grants totaled $16.9 million. The largest museum grant program administered by IMLS, MFA grants support institutions wanting to strengthen their services in engaging communities (education, exhibitions and interpretation), building institutional capacity (management, policy and training) and stewarding collections.

“As repositories of our nation’s treasures and our nation’s history, museums are positioned to play an integral role in the education of their communities. Museums for America grants support projects and ongoing activities that build museums’ capacities and help these institutions serve their diverse constituencies to the best of their abilities,” said IMLS Director Dr. Anne-Imelda M. Radice.

Other institutions receiving the maximum grant include the Guggenheim Museum, the Philadelphia Museum of Art and the National Building Museum in Washington, D.C.

The Institute of Museum and Library Services is the primary source of federal support for the nation’s 122,000 libraries and 17,500 museums. Its mission is to create strong libraries and museums that connect people to information and ideas. The Institute works at the national level and in coordination with state and local organizations to sustain heritage, culture, and knowledge; enhance learning and innovation; and support professional development. To learn more about the institute, visit www.imls.gov.

The role of Ft. Dobbs and North Carolina in the French and Indian War (1754-1763), the first true world war, makes up an important chapter in North Carolina’s colonial history. Built in 1756, the fort was named for Royal Governor Arthur Dobbs and manned by provincial soldiers. It was garrisoned from 1756-1761, sheltering frontier settlers during the war and serving as the colony’s western frontier company headquarters. The fort was attacked Feb. 27, 1760, when soldiers fought off more than 60 Cherokee.

Ft. Dobbs State Historic Site is open Tuesday-Saturday, 9 a.m. to 5 p.m., offering living history programs daily. It is part of the Division of N.C. Historic Sites and Properties within the N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history, and culture. For more information on Ft. Dobbs, visit www.fortdobbs.org or call 704/873-5882, email info@fortdobbs.org. This program reflects the N.C. Department of Cultural Resources 2008 theme “Telling Our Stories,” a yearlong celebration that showcases the story of North Carolina’s rich arts, heritage, and cultural life. For more information on Cultural Resources programs, visit www.ncculture.com.

Docent Training Starts September 15 at Museum of History

Discover the rewards of sharing North Carolina’s rich history with others. As a volunteer docent at the N.C. Museum of History in Raleigh, you can meet people from around the world, work with other enthusiastic docents and learn more about our state. If you are interested in becoming a museum volunteer, contact Debra Nichols, volunteer and group programs coordinator, at 919-807-7986 or
debra.nichols@ncmail.net
to set up an interview.

A series of training classes will begin on Monday, Sept. 15, and take place every Monday through November. Morning and evening classes are offered. Participants will receive training to give Spotlight tours of several exhibitions.

During training classes, participants will learn about interpreting touch items on exhibit Gallery Carts, which are filled with reproduction artifacts. The classes will include information about the hands-on History Highlights tour, as well. Docents enjoy benefits such as field trips to historic sites, an annual luncheon and lectures by guest speakers. To learn more about the benefits of becoming a docent, go to the museum’s Web site at ncmuseumofhistory.org.

The N.C. Museum of History’s hours are Monday through Saturday, 9 a.m. to 5 p.m., and Sunday, noon to 5 p.m. Admission is free. The museum is part of the Division of State History Museums, Office of Archives and History, an agency of the N.C. Department of Cultural Resources. The department’s Web site is www.ncculture.com.

Thomas Sayre Sculpture


Guidebook Offers “Staycation” Tips

The new guidebook, “Homegrown Handmade: Art Roads and Farm Trails,” is getting rave reviews and flying off the shelves.  The book, produced the N.C. Department of Cultural Resources and N.C. Cooperative Extension, features 16 self-directed driving trails in 76 mostly rural North Carolina counties that have loads of opportunities for “staycations.”  Each multi-county section has listings for festivals, crafts shops, museums, produce stands, restaurants, bed-and-breakfast sites, farm experiences and activities.

The Triad Business Journal writes in its June 13-19 edition, “Whether it be for a short weekend day-trip or a quest to discover some of the hidden beauties North Carolina has to offer, Homegrown Handmade is a valuable tool that showcases the state’s rich history, vast culture and beautiful landscape.”

The guidebook features locations and events that are easy on the fuel bill and high on the family fun factor. A sampling of upcoming events around the Piedmont includes:

  • The Airborne and Special Operations Museum in Fayetteville, which can be found on the “Crossroads PatriArts, and Native Ways” trail, will host “National Airborne Day” on Aug. 9.  The date marks the 68th anniversary of the Parachute Test Platoon’s first jump, as well as the Museum’s 8th anniversary.
  • Down along the “Scenes of the Sandhills” trail, peaches are coming into season, and places like Bynum Farm and Nursery in Ellerbe and Pee Dee Orchards in Lilesville will have the succulent fruit ready for use in pies, preserves, or just as a snack by the side of the fruit stand. 
  • Antique autos will hit the road to a couple of destinations later this summer and this fall.  In August, the North Carolina Transportation Museum, which is on the Burning Rubber and Riding the Rails trail, will celebrate 100 years of the Model T, and will host an “All Ford” show on Aug. 2.  Along the “Hushpuppies, Pimento Cheese, and Sweet Tea” trail that includes Vance County, the town of Henderson will be the site of the “Show, Shine, Shag & Dine” antique/classic car show and “The East Coast Drag Times Hall of Fame” Oct. 17-19.
  • The “Hushpuppies” trail also features the Brightleaf Hoedown in Yanceyville, on Sept. 27.  Activities include crafts, a mock tobacco auction, children’s games, local musicians, and a street dance.

 

Each of the 16 trails in the guidebook tell a story of its unique place  Recreational farms, artist studios, organic foods, museums, festivals, and restaurants that serve local produce or serve up indigenous recipes with a dash of art, music or history are included.  Sales of the book are brisk, as one woman in Charlotte found out when she went to her local bookstore to purchase a copy.  When she arrived she was told that the owners were placing their third order for the sold-out book.

For more information about “Homegrown Handmade: Art Roads and Farm Trails,” or to order a copy, go to www.homegrownhandmade.com.

 

 

In the News: Homegrown Handmade Guidebook

Maryanne Friend, Director of Development and Marketing Communications for the NC Department of Cultural Resources recently spoke with Bill Flynn of 99.5 WMAG about the new guidebook Homegrown Handmade: Art Roads and Farm Trails.  Click here to listen to the interview.

Final Performance of Blue Ridge Traditions

The free summer series Blue Ridge Traditions at the Mountain Gateway Museum and Heritage Center in Old Fort wraps up with outstanding performances on Saturday, July 26, at 7 p.m. at the site’s outdoor amphitheater. Clarence Green and Wayne Martin will give their fiddle, guitar, harmonica and banjo a workout with bluegrass and old-time country music. The internationally known Krüger Brothers will astound you with their technical virtuosity on banjo, guitar and bass. The trio’s musical style defies strict classification, encompassing many genres of music, from classical European to traditional American.

Come early from 2 to 6 p.m. to complete your authentic mountain experience with craft and farming demonstrations and hands-on activities. Watch Floyd Sims demonstrate old-time agricultural techniques with his team of Halflinger horses, and Randy Vess will talk about farm tools and show off his 1915 hit-and-miss engine. Lesa Postell will highlight traditional techniques of food preservation, and Judy LaRoux will describe what life is like as an herbalist and organic farmer in Old Fort.

In addition, wood-carver Donald Duncan, broom makers Alton Blankenship and Gina Wheeler, and the Mountain Glory Quilters Guild will be on-site. Find out how a traditional broom is made, and make a quilt square with the quilting group.

More information about Blue Ridge Traditions is posted on ncarts.org/freeconcerts, or call Mountain Gateway Museum at 828-668-9259 for details.

Overview of July 26 Performers and Craftspeople

Clarence Green with Wayne Martin

Mitchell County native Clarence Green learned his first guitar chords from his father, “Fiddling” Clarence Green, an early pioneer of country music. The elder Green’s commercial recordings — such as “Careless Love,” “On the Banks of the Ohio” and “My Home’s Across the Blue Ridge Mountains” — are hailed as classics by devotees of traditional music and constitute some of the earliest documentation of these songs.

The younger Green first performed in public at age 13, when he and his father played a square dance at the Penland School of Crafts. He later joined his father’s band, the Toe River Valley Boys, as a guitar, mandolin, and banjo picker and singer. Green continued to perform with the band after his father’s death and brought an emphasis on bluegrass into the group’s repertoire.

“I play both old-time country music and bluegrass,” he explains. “But I just do it my own way.”

Green will be accompanied by Wayne Martin on fiddle, guitar and harmonica. Martin is senior program director for community arts development at the North Carolina Arts Council. He has produced numerous recordings of traditional North Carolina musicians, including Etta Baker, Bascom Lamar Lunsford, and Joe and Odell Thompson. Martin and his wife, Margaret, perform old-time music with other musicians throughout the state.

The Krüger Brothers
Born and raised in Switzerland, banjo player Jens Krüger and guitarist Uwe Krüger have been performing professionally since 1973. After playing for over two decades throughout Europe, they invited bassist Joel Landsberg to join them, and the three musicians formed the acoustic trio known internationally as the Krüger Brothers. The trio’s performances are exciting, entertaining and spontaneous, reflecting their sheer joy of playing music. The Krüger Brothers’ musical style can only be described as new American music.

Floyd Sims – Halflinger Horses
Floyd Sims learned about farming as a child in Rutherford County. After retiring from a four-decade career as a truck driver, Sims returned to the farming practices that have been such an integral part of his life. He not only grows and mows hay on his property in Old Fort, but he demonstrates old-time agricultural techniques with wagons, plows and sleds, and with Jingles, Belles and Ella, his team of Halflinger horses.

“Halflingers are smaller than Belgiums,” Sims explains. “They’re easier to harness, and they’ve got an easier temperament. You can work them and ride them too.”

Randy Vess – Farm Tools and Hit-and-Miss Engine
While working as a factory representative for a small engine company, Old Fort native Randy Vess became interested in hit-and-miss engines and the evolution of farm technology. A demonstration by Vess features handheld corn shellers, a water pump and his 800-pound hit-and-miss engine manufactured by La Compagnie Desjardins in 1915.

“I like to get kids thinking about how much work went into farming. This was why these machines were invented. People often don’t comprehend the awesome amount of labor that goes into something as seemingly simple as shelling an ear of corn.”

Lesa Postell – Food Preservation
For Jackson County resident Lesa Postell, food preservation is a tradition that has been passed down through several generations of her family. “I grew up preserving food,” she states. “I learned it from family members. It was just a way of life.”

Postell’s book Appalachian Traditions: Mountain Ways of Canning, Pickling and Drying, published in 1999, introduced a new generation to the arts of canning, pickling, drying and curing. “That is my contribution to society — my effort to demonstrate how preservation was done in the old days and can still be done today,” she explains.

“There is all this talk now about living green,” she laughs. “But living green is nothing new. It’s actually very old.”

Judy LaRoux – Herbalist and Organic Farmer
Herbalist Judy LaRoux and her husband, Ken, have dedicated their lives to organic, sustainable farming practices on Paradise Acres, their rambling farm in Old Fort. LaRoux says that when she moved to McDowell County from southern California 15 years ago, she dreamed of “having a giant greenhouse, a nice garden and learning to keep bees.”

During the last five years, LaRoux has turned her dream into reality through the production of herbal balms, salves and tinctures; locust and sourwood honeys; and a cornucopia of organic fruits, vegetables, herbs and flowers. She is currently training as a naturepathic physician through Clayton College in Alabama. She explains, “I have a growing list of people buying my products. Once they try them and see how good they work, they keep coming back.”

Mountain Glory Quilters Guild
This group of enthusiastic quilters celebrates and promotes the quilting traditions of western North Carolina. All quilters are welcome to join, regardless of experience.

Members of the Mountain Glory Quilters Guild are active community members who donate quilts to children’s charities and programs. They view their craft demonstrations during Blue Ridge Traditions as a way to support and promote the rich heritage of hand quilting.

Donald Duncan – Wood-carver
This North Carolina native has been carving wood for more than 40 years. After his retirement, Donald Duncan began carving treenware, which he says comes from the old English word “treown,” which means “made of a tree.” Treenware refers to small utensils and wooden tableware that are functional in nature and most often are hand carved or made on a lathe.

For 18 years, Duncan has demonstrated his craft at the Village of Yesteryear at the N.C. State Fair. He fondly recalls the experience as “10 days of nonstop talking.” A member of the Southern Highland Craft Guild, he carves spoons, ladles and letter knives from native wood that he gathers himself. His work is both decorative and functional.

Alton Blankenship – Broom Maker
Born in Rutherford County, Alton Blankenship first came to his craft out of necessity. “My father was a broom maker,” he recalls, “and he didn’t do it for any reason other than he needed something to barter with and something to sweep floors with. I became interested in making brooms out of necessity, and because my father did it.”

Blankenship returned to making brooms after his retirement, when he became inspired by the work of broom maker Ralph Gates. “I mentioned to Ralph that I could make brooms if I had the right supplies,” said Blankenship. “He had one stalk of broomcorn left, and he gave it to me and said, ‘Here’s enough to make a lot of brooms.’ That was more than 20 years ago.”

Asked about the most important aspects of his own brooms — which include whisk brooms, turkey wings, hearth brooms and kitchen brooms — Blankenship explains, “I want a broom to be sturdy and appealing to the eye.”

Gina Wheeler – Broom Maker
Barnardsville resident Gina Wheeler has always been surrounded by traditional crafts. Her mother is a gifted oil painter, and her husband, Michael, hails from a long line of chair makers.

It was during a chair-making demonstration at the Mountain State Fair in Asheville seven years ago that she met traditional broom maker Alton Blankenship. Says Wheeler’s husband, “After she met Alton, I didn’t see her for about a week. She got to watching him and fell in love with what he was making.” Wheeler assists Blankenship during his broom-making demonstrations, and the Wheelers grow their own broomcorn.

Blue Ridge Traditions is sponsored by Mountain Gateway Museum and Heritage Center, the North Carolina Arts Council, the Department of Cultural Resources and the North Carolina Folklife Institute. Additional support is provided by McDowell County Tourism Authority. The media sponsor is WNCW-FM 88.7.

The summer series is presented as part of “Telling Our Stories,” a yearlong celebration showcasing North Carolina’s arts, heritage and cultural life. “Telling Our Stories” is an initiative by the N.C. Department of Cultural Resources.

To reach Mountain Gateway Museum and Heritage Center at 102 Water Street (the corner of Catawba and Water streets), take exit 73 off I-40, and go north four blocks. The museum is 23 miles east of Asheville and 50 miles west of Hickory.

Mountain Gateway Museum and Heritage Center is part of the Division of State History Museums, Office of Archives and History, an agency of the North Carolina Department of Cultural Resources. The department’s Web site is www.ncculture.com.

Gift to Archives Highlights African American Resources

 

Dr. Lavonia Allison signs a Contract of Gift to the State Archives as Cultural
Resources Deputy Secretary Jeff Crow (C) and N.C. Central University
Chancellor Charlie Nelms look on. (Photo courtesy of N.C. Central University)

In a ceremony on the historic campus of N.C. Central University Tuesday, Department of Cultural Resources Deputy Secretary Jeff Crow accepted a gift on behalf of the State Archives from Dr. Lavonia I. Allison of Durham.

The donation includes records of the Durham Committee on the Affairs of Black People (DCABP) from 1935 to the present; records of the N.C. Black Leadership Caucus (NCBLC), circa 1977 and 1980; brochures, signs, and buttons from the campaigns of Jesse Jackson in 1984 and 1988; and items from the national democratic campaigns of 1992, 1996, 2004, and 2008.

“The nearly 3,000 private collections that have been donated over the past one hundred years to the State Archives include correspondence from every president of the United States, and from a variety of agencies and organizations including the NAACP and the Freedman’s Bureau,” said Cultural Resources Secretary Lisbeth C. “Libba” Evans.  “The addition of Dr. Allison’s papers marks an important way to strengthen the resources available for African American history at the State Archives.”

The North Carolina Office of Archives and History will microfilm and scan the items, and provide microfilmed and scanned copies of the documents to N.C. Central University in order to make available to researchers there this important part of North Carolina history.

Founded in 1903, the State Archives is the third oldest state archival program in the nation.  Throughout its 105 years of existence, the Archives have been at the forefront of preserving and providing access to North Carolina’s records and collections of historical significance.  The State Archives is part of the N.C. Department of Cultural Resources, a state agency dedicated to the promotion and protection of North Carolina’s arts, history and culture.

 

New Curator Named for the Southeastern Center for Contemporary Art (SECCA)

WINSTON-SALEM, NC - Bringing outstanding perspective into the international arena of the art of today, Steven Matijcio is joining the staff of the Southeastern Center for Contemporary Art (SECCA) as curator Aug. 1.

SECCA director Mark Leach says, “Steven’s insight into international art practices will bring SECCA to the forefront of cutting-edge contemporary ideas and art-making on the global stage. His vision will provide a rich foundation for SECCA’s program as we move into an exciting era in partnership with the North Carolina Museum of Art.”

In December 2007, SECCA became an operating entity of the North Carolina Museum of Art and the North Carolina Department of Cultural Resources.

“With his breadth of experience,” Leach continues, “Steven brings the energy and ideas that will infuse SECCA’s exhibits with substantial cultural meaning – fulfilling and pushing forward the purpose and mission of the art center.”

Born in Toronto, Canada and educated in New York, Matijcio has an accomplished background in the gallery and museum field. He has held positions at the National Gallery of Canada, the Art Gallery of Ontario, the Power Plant Contemporary Art Gallery and has organized projects across all media and themes. For the past three years he has worked as curator at the Plug In Institute of Contemporary Art in Winnipeg, Manitoba (one of Canada’s most respected and cutting edge institutions exhibiting contemporary art). During this tenure, Matijcio curated a provocative series of exhibitions featuring the work of Marina Abramović, Marc Bijl, Minerva Cuevas, Nathalie Djurberg, Omer Fast, Sarah Anne Johnson, Hulda Stefánsdóttir, Shaan Syed and Anna von Gwinner.

Matijcio says, “Joining SECCA is an opportunity for me to become part of a team, a mandate, a history, and a gallery known for its willingness to be a trailblazer in today’s art world. I’m looking forward to working in the vibrant Winston-Salem community, alongside Mark [Leach], whose passion, experience, and ambition will undoubtedly lead SECCA into a bright new era.”

Alongside his activities in curating, writing and criticism, Matijcio is an active researcher and lecturer who has been the recipient of numerous awards including a Governor General’s Award and the Orpheus Prize in Humanities. He was named a University of Toronto scholar all four years of his undergraduate study, and received both a fellowship and scholarship to attend graduate school at the Center for Curatorial Studies in New York (Bard College).

Under curators such as Marcia Tucker, Ivo Mesquita, John G. Hanhardt and Christiane Paul, he co-curated an exhibition that investigated the effects of institutional structures on the human body (Instructure). Matijcio was commissioned by the Robert Mapplethorpe Foundation to organize an online exhibition highlighting important, but lesser-known works by the iconic Mapplethorpe (Momentum).

Matijcio has also worked in numerous academic arenas. He served as an instructor in the University of Manitoba’s School of Art from 2007 - 2008. He is currently researching the relationship between art and political activism, and has received a number of travel grants to conduct research in countries such as Italy, Germany, Austria and Brazil.

Matijcio has edited and published a number of notable texts. He conducted interviews with Jane Alexander, Shaun Gladwell, Nasrin Tabatabai and Babak Afrassiabi for the 2006 Sao Paulo Bienal Catalogue, and has written for journals such as Canadian Art, Border Crossings, Locus Suspectus, and Canadian Architect. As part of his curatorial practice, Matijcio has contributed essays on the work of Daniel Barrow, Richard Hines, Micah Lexier, Dominique Rey and Diana Thorneycroft, and worked as editor/curator for the recent publication Scratching the Surface: The Post-Prairie Landscape.

He looks forward to employing all of these skills and experiences at SECCA, cultivating a more robust writing program, expanding exhibition geography and organizing public programs to better connect audiences to art. Matijcio notes the importance of community involvement in all these ventures, and seeks to make SECCA a hub for cultural activities of all kinds - connecting with students, artists, colleges and universities, filmmakers, and a range of audiences. With an eye toward August and beyond, he says, “this center has the history, vision, and staff to be a truly special place – I can’t wait to be part of its future.”

SECCA is designed to involve audiences in the art of our time. SECCA, located at 750 Marguerite Drive in Winston-Salem, N.C., is an operating entity of the North Carolina Museum of Art, an agency of the N.C. Department of Cultural Resources. SECCA’s programs mirror the Department of Cultural Resources’ 2008 theme of “Telling Our Stories.” SECCA is also a funded member of the Arts Council of Winston-Salem and Forsyth County. For hours of operation, please go to www.secca.org or call 336-725-1904. Admission is free.